“East Coast Tasmania No.3.1 Reflection: A Study in Panels” by Bronek Kozka: This work employs a multi-panel approach to create a comprehensive, immersive experience of the depicted landscape. Each panel contributes to the overall narrative, enhancing the sense of depth and continuity. The arrangement of panels reflects Kozka’s exploration of time, movement, and memory, inviting viewers to engage with the scene from multiple perspectives simultaneously.
In previous works, Kozka has demonstrated a consistent use of digital technology to deepen his connection with natural environments, as seen in “Mediated by the Digital Lens” series. This approach allows him to capture and convey the subtle, often ephemeral qualities of landscapes that are not immediately apparent to the naked eye.
The panels in this piece might mirror or contrast each other to evoke a dialogue between different moments in time or shifts in atmospheric conditions. This technique echoes the traditional Chinese shanshui painting influence in Kozka’s work, where the flow of natural elements is depicted across a series of connected scenes
Bronislaw Kozka
Print Size: 900×630 mm
Frame Size: 1100×830 mm
Paper Type: Felix Schooller True Baryta 310gsm
Frame Colour: Black
Exhibit: POS BK 565 08
East Coast Tasmania No.5.1 Reflection: A Study in Panels
Archival Giclee Digital Print
“East Coast Tasmania No.3.1 Reflection: A Study in Panels” by Bronek Kozka: This work employs a multi-panel approach to create a comprehensive, immersive experience of the depicted landscape. Each panel contributes to the overall narrative, enhancing the sense of depth and continuity. The arrangement of panels reflects Kozka’s exploration of time, movement, and memory, inviting viewers to engage with the scene from multiple perspectives simultaneously.
In previous works, Kozka has demonstrated a consistent use of digital technology to deepen his connection with natural environments, as seen in “Mediated by the Digital Lens” series. This approach allows him to capture and convey the subtle, often ephemeral qualities of landscapes that are not immediately apparent to the naked eye.
The panels in this piece might mirror or contrast each other to evoke a dialogue between different moments in time or shifts in atmospheric conditions. This technique echoes the traditional Chinese shanshui painting influence in Kozka’s work, where the flow of natural elements is depicted across a series of connected scenes
Photographer:
Bronislaw Kozka
Print Size: 900×630 mm
Frame Size: 1100×830 mm
Exhibit: POS BK 565 08
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